The Killers en la portada de Rolling Stone México. The Killers are on the cover of Rolling Stone Mexico

The Killers en la portada de Rolling Stone México. The Killers are on the cover of Rolling Stone Mexico

Rolling Stone - Readers’ Poll: The Best Songs of 2012
1. The Killers - ‘Miss Atomic Bomb’

The Killers are genuine rock & roll survivors. The group took a long break after they wrapped a tour behind 2008’s Day and Age. During that time frontman Brandon Flowers focused on his solo career and mourned the loss of his mother. Some fans feared the break was going to become permanent, but last year they started doing overseas shows and begin work on their long-awaited fourth album. They pulled out all the stops for the disc, working with many of the biggest producers in rock, including Brendan O’Brien, Daniel Lanois, Steve Lillywhite and Stuart Price, who worked on “Miss Atomic Bomb.” The track was inspired by a famous photograph of a Nevada woman who was named “Miss Atomic Bomb” in a pageant held after a nuclear bomb was tested.

Rolling Stone - Readers’ Poll: The Best Songs of 2012

1. The Killers - ‘Miss Atomic Bomb’

The Killers are genuine rock & roll survivors. The group took a long break after they wrapped a tour behind 2008’s Day and Age. During that time frontman Brandon Flowers focused on his solo career and mourned the loss of his mother. Some fans feared the break was going to become permanent, but last year they started doing overseas shows and begin work on their long-awaited fourth album. They pulled out all the stops for the disc, working with many of the biggest producers in rock, including Brendan O’Brien, Daniel Lanois, Steve Lillywhite and Stuart Price, who worked on “Miss Atomic Bomb.” The track was inspired by a famous photograph of a Nevada woman who was named “Miss Atomic Bomb” in a pageant held after a nuclear bomb was tested.

Rolling Stone - Readers’ Poll: The Best Albums of 2012: #2 Battle Born, The Killers

When the Killers first came back from hiatus to record their fourth album, they spent “about a week just eyeballing each other in a room,” singer Brandon Flowers has said. But on the strength of the centerpiece songs “Runaways” and “Miss Atomic Bomb,” Battle Born hit new, anthemic heights.

Rolling Stone - Readers’ Poll: The Best Albums of 2012: #2 Battle Born, The Killers

When the Killers first came back from hiatus to record their fourth album, they spent “about a week just eyeballing each other in a room,” singer Brandon Flowers has said. But on the strength of the centerpiece songs “Runaways” and “Miss Atomic Bomb,” Battle Born hit new, anthemic heights.

The Killers Go Big in Denver Tour Kickoff

Las Vegas rockers the Killers kicked off their latest North American tour in style on Thursday night at 1stBank Center, a mid-sized arena just north of Denver, Colorado.

Leaning heavily on songs from their latest album Battle Born – which takes its name from a phrase on the Nevada state flag – the band represented its home city in both spectacle and sentiment, larding the two-hour concert with pyrotechnics, lasers and enough flashing projections to warrant a seizure warning.

Following a short set by Canadian pop-rockers Tegan and Sara, the Killers began their show with appropriate pomp, with lead singer Brandon Flowers climbing the monitors and raising his arms meaningfully during “Flesh and Bone,” the first track from Battle Born. Looking fit and steely, he quickly put down any concerns about his vocal health, which caused the band to cancel a pair of Manchester shows earlier this month.

“It’s our first show here in three years, and you haven’t deserted us!” Flowers gushed during a rambling intro to “The Way It Was.” “I’m no good at talking about it, so I’ll just sing about it.”

The Killers have always been Flowers’ show, but that fact was clearer than ever during the soaring choruses of songs such as “Smile Like You Mean It” and “Miss Atomic Bomb.” The band can sound limited and thin in the studio, despite their phalanx of notable producers, and close inspection has never done any favors for Flowers’ painfully clichéd lyrics. But live, his voice is the burning core of the group’s appeal. It helped that guitarist Dave Keuning, bassist Mark Stoermer and drummer Ronnie Vannucci were joined by a pair of backup guitarist-keyboardists, and the thunderous, meaty sound they wrought put most of the Killers’ recorded work to shame. Who needs quality lyrics or subtlety when you have punishing volume and Swiss precision?

The band isn’t really known for subtlety, of course. The visuals projected onto the widescreen behind them were often about as literal a pairing with the music as one could imagine – starfields and cosmic imagery for “Spaceman,” sepia-toned visions of the wide-open-west for “A Dustland Fairytale.” Sometimes they contrasted bizarrely with the song, as when a muddy-sounding “Somebody Told Me” was backed by virtual golden bulbs that made the stage look like a nightmarish game show perched on the edge of reality.

The displays occasionally strayed into full-on summer concert territory, or even a Vegas-revue homage. Every few songs, smoke pots, curtains of sparks, red flames and blasts of sparkling confetti showered the band. Even without them, the energy in the venue was immense, especially considering the floor of the 6,500-capacity arena was barely half-full. That didn’t seem to bother the all-ages audience, which stood for the entire performance, a few little girls perched atop their fathers’ bouncing shoulders.

There were missteps, as when the infectious, clanging riff on “When You Were Young” – arguably the band’s best – was bludgeoned by an imprecise mix, or the Jackson Browne-indebted “Here With Me” showed just how little Flowers’ songwriting has evolved since moving from Anglophile to heartland-rock tourist. But for all the cheesy synth flourishes and stadium moves cribbed from Bono and Springsteen, Flowers still came off as genuinely humbled by the adoration. He even name-checked the Larimer Lounge, a Denver indie rock venue where the Killers first played to “probably seven or eight people,” as an example of how far the band has come.

He may not always be artful, but unlike his hometown, Flowers can be charmingly earnest. A nice Mormon boy with a hipster-Marine haircut, a highly successful, U2-meets-Bruce songwriting formula, and the live chops of a singer with something to prove. Vegas should be proud.

Set list:
“Flesh and Bone”
“The Way It Was”
“Smile Like You Mean It”
“Spaceman”
“Heart of a Girl”
“Bling (Confession of a King)”
“Miss Atomic Bomb”
“Human”
“Somebody Told Me”
“Here With Me”
“For Reasons Unknown”
“From Here on Out”
“A Dustland Fairytale”
“Read My Mind”
“Runaways”
“Mr. Brightside”
“All These Things That I’ve Done”
“Jenny Was a Friend of Mine”
“When You Were Young”
“Battle Born”

Flesh and Bone is one of Rolling Stone’s favourite songs in this month’s issue

Flesh and Bone is one of Rolling Stone’s favourite songs in this month’s issue

Battle Born review by Rolling Stone

Battle Born review by Rolling Stone

The Killers on Mitt Romney: ‘Anyone’s Allowed to Like Us’

Paul Ryan may have been blasted by Tom Morello for his love of Rage Against the Machine, but Mitt Romney’s preference for the Killers hasn’t seemed quite as controversial so far. When the Republican presidential nominee gave a shout-out to the Las Vegas band last week, at least one member didn’t seem upset by it.

“Anyone’s allowed to like us,” Killers bassist Mark Stoermer tells Rolling Stone. “If it’s just about music, I guess it’s not a negative thing.”

Romney brought up the band – whose lead singer, Brandon Flowers, is Mormon, like the candidate – in an interview with Parade. “The Killers are one group I enjoy,” he said, noting that, if elected, he’d also welcome the Beach Boys, Alabama, Aerosmith and country stars Garth Brooks, Kenny Chesney and Toby Keith to play at the White House.

Several big-name artists have come out against the Romney-Ryan campaign in recent weeks. Silversun Pickups ordered Romney to stop using their song “Panic Switch” at events. Twisted Sister frontman Dee Snider denounced Ryan’s use of their 1984 hit “We’re Not Gonna Take It.” And Rage guitarist Tom Morello blasted Ryan – who is inexplicably both a Republican and a fan of the band – in an op-ed for Rolling Stone.

But it appears that Romney can rock out to the Killers in peace. Stoermer declined to take sides on the candidate’s politics.

“He’s, I guess, a guy and he listens to music and happens to like us,” he said. “That’s fine.”

Asked if the band would be open to playing at the White House, he said it would depend on the circumstances.

“We’d have to cross that bridge when we come to it,” he said. “We’re not really a political band. And we don’t necessarily have all the same views, but none of us are very politically active anyway. I guess we would be open to it, depending on if and when it happens and what it was about.”

Some rockers do support Romney and Ryan. This week, a handful of acts are performing at the Republican National Convention in Florida. The list includes Journey and Kid Rock, whose song “Born Free” has been a staple of Romney’s campaign.

The Killers Team With Werner Herzog for Live Concert Webcast

The Killers are teaming up with director Werner Herzog for a live concert webcast in September. True to form, Herzog has big plans for the show.

“He has ideas for someone crowd-surfing with a camera on,” says Killers bassist Mark Stoermer, speaking by phone from London. “He’s gonna put cameras on Ronnie [Vannucci, Jr.] while he’s playing drums.”

The concert is the 11th installment of the American Express Unstaged series, pairing pop stars with celebrated directors for concerts streamed live on VEVOand YouTube. In previous webcasts, David Lynch worked with Duran Duran; Hamish Hamilton collaborated with Usher; and Gary Oldman, the actor who wrote and directed the 1997 film Nil by Mouth, teamed with Jack White.

The Killers concert happens at the Paradise Theater in the Bronx on September 18th at 7 p.m. Eastern time. Click here for a live stream. That day also marks the U.S. release of the band’s new album, Battle Born.

Stoermer says the band chose Herzog for his unique ideas, and the filmmaker seems to be taking his work seriously. When he met with the musicians in their home city of Las Vegas a couple weeks ago, Herzog told them he’d watch previous installments in the series to see what other directors had done.

“He wanted to not make any mistakes that any of the other directors may have made,” Stoermer says. “He definitely wanted to make the best version of this live AMEX performance of any director so far.”

Though the webcast probably won’t be quite as ambitious as some of Herzog’s previous work – for his 1982 film Fitzcarraldo, he had his crew pull a steamship over a giant hill in the Amazon – it will be global in scope. Starting September 5th, viewers around the world can submit photos of themselves holding signs saying where they live. Some submissions will appear on stage during the stream.

There will be other surprises, too. “I think there’s gonna be an animal involved,” Stoermer says. “I’m sure it will be all done the right way.”

Nueva entrevista a The Killers en Rolling Stone España.

Aim for Bruce, Hit Bon Jovi.
Rolling Stone Magazine mentions The Killers 

Aim for Bruce, Hit Bon Jovi.

Rolling Stone Magazine mentions The Killers